The Foundation of Filmmaking
Welcome to the third volume of the Cinematography System: A Playbook Approach.
This course lays out the exact playbook that I use as a cinematographer day in and day out on all of my projects.
I am sharing this material for the first time ever and I am excited to finally be able to share these concepts to students around the world.
Early in my career I began to notice a pattern of scenes or set ups that I was asked to shoot time and time again.
From these observations I set out to construct a system that would allow me to develop looks and problem solve potential issues well before I ever stepped on set.
It was developing this ability to see in to the future that really accelerated my skills and allowed me to fast track my career.
In time that system grew to what it is today and it forms the foundation for how I approach every project.
It is the bedrock of my cinematography.
In this course I am sharing what I believe to be the most complex of all set ups. In my system I refer to it as the Dining Room Table scene.
Anytime you have more than 3 people in a scene things can get very complicated very quickly.
How much coverage do we need? What is the best way to get the wide? How should the actors be positioned relative to one another/relative to the camera?
These questions may sound simple but once you start to dissect the scene they can become incredibly complex. If you want to succeed you have to get the basics right and in this course I will show you a system for ensuring you have everything covered.
You will never view blocking, framing, or cinematography the same.
I've been a cinematographer since 2009 and have shot 100s of commercial projects over that time.
Throughout the course of landing, prepping, and shooting those jobs I have learned a lot about the different approaches a DP can take in their role.
And over the past few years, I've shared that knowledge of how to shoot commercials in over 400 episodes of The Wandering DP Podcast. Every week I receive emails from people who have found the podcast and immediately improved their work because of it.
During the course of my own career I discovered that while it may appear that there are countless different scenes and set ups, in reality, there are only a handful. When you can recognize these situations you can drastically increase your results because you know where the path leads.
If you know the final destination then you can work backwards and make decisions accordingly.
Working with a system can improve your results overnight no matter what situation you are in.
The goal of A Cinematography System: The Playbook Approach is to present the way I approach the work and show you why using a specific system will make you more effective as a DP.
Up until now the only real way to develop a system for cinematography was to do so on your own.
Through real world trial and error an individual could start putting together techniques and approaches for common situations. This limited learning because it put real world constraints on a person's time and energy.
This course is for people looking to build upon a proven system and take their work a step further. If you liked previous volumes of the Playbook Approach then you are going to love this instalment.
The techniques discussed in this course have changed the quality of my professional work multiply times over. Every job, every project, every scene, every shot I am a part of is an opportunity to put these ideas in to practice.
There is nothing in this course that you can't immediately try out for yourself on your very next project. It doesn't require any specific gear or circumstances. Once you understand the system you can begin to reap the benefits immediately.
This course walks you through my system for evaluating coverage, framing, and lighting opportunities in a given environment. Once you understand how the system is structured you can build on it to meet your own unique styles.
I look forward to seeing you in the course.